Pagans and Paganism in the Writings of (St) Patrick [Part 1]

A man in a goat mask, with hairy cloak holding a staff

Image: Billy Mag Fhloinn (Used with permission)

Introduction

The writings of the Historical Patrick are quite honestly remarkable.  As the earliest surviving documents known to have been written in Ireland, they represent the very start of recorded Irish History itself. As the only primary sources from either Ireland or Britain for the entirety of the fifth century AD, they contain the earliest historical articulation of a collective Irish Identity alongside a complex and fluid sense of Insular Romano-‘Britishiness’ and Imperial ‘Romanitas’.

Its not perhaps always appreciated, despite the obvious, that Patrick’s writings also represent the earliest – the only – contemporary historical source from a Christian actively engaging with Insular Irish Pagans in late prehistory. As someone who had spent several years as a slave in Ireland as a youth, and who then returned to evangelize as a missionary in later life, Patrick’s writings also represent a unique textual witness to the start of the end of Irish prehistory, and what I like to call: ‘honest to gods’ authentic Irish paganism.

Perhaps even more remarkable is that, unlike some other Christian sources, Patrick provides us with a profoundly respectful, and altogether realistic treatment of insular Irish pagans and their society. Patrick speaks of regularly going out of his way so as not to bring the new religion, or any of its practitioners, into disrepute among those pagans he was continually living and working alongside. He mentions paying over the odds to local judges to allow him access new territories in peace. He references entering into alliances with local pagan kings and the deliberate hiring of their sons as traveling bodyguards, for both physical (and perhaps more importantly, social) protection. As someone whose mission was perilously existing on the fringes of insular Irish society Patrick seems to have gone to great lengths in all his dealings with actual pagans, ever conscious of not offending them in any way, appearing to intrude on their territories, or causing them to react with hostility to his missionary activities. 

Over the years, some scholars have occasionally tuned their attention to this aspect of Patrick’s writings in order to seek out tidbits of information as to genuine pagan Irish beliefs and practices – all of them with varying levels of success. Some of this has even permeated into popular culture and consciousness and is occasionally regurgitated uncritically by modern authors, bloggers and journalists. Much of it, if not all, is complete and utter bullshit.

And so, for the day that’s in it, and in keeping with blog tradition, I thought I’d take a deep dive on the very same subject and ask the eternal question: How much, if anything, can we actually derive about authentic Irish paganism from the writings of the Historical Patrick?

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Scandalized Women in the Writings of St. Patrick

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Preface

A day late, but in keeping with time-honoured blog tradition, I nevertheless present my annual Patrician-themed rambling extravaganza – a deep forensic examination of lesser spotted aspects within the writings of the Historical Patrick. This year, I thought I’d take a look at one of the more neglected passages in his Confessio (Chapter 49) concerning women. Despite initial appearances and a lack of previous (male) scholarly attention over the years, Chapter 49 when fully appreciated, actually contains far more than meets the eye.

Before jumping in though, and for anyone approaching Patrick’s writings for the first time, there are a few things worth bearing in mind.

Patrick letters are a kind of open bulletin to multiple audiences and recipients. He was primarily writing for elite Christian audiences in Britain, but he sometimes changes focus within and addresses some of his Irish converts and supporters. Its helpful to be aware of whom he was addressing at any one time as certain themes or episodes would have made little sense to one or the other. His multiple audiences in Ireland and Britain, despite being under a shared umbrella of Christianity, knew little to nothing of each others daily cultural or political realities.

Patrick can be read via several layers of meaning. There are the actual words that he used; and there are the words/phrases within those words that are designed to hint or reference certain biblical passages that would resonate among an elite Christian audience. Throughout his writings, Patrick uses sub-textual references to reinforce his arguments, his sense of righteousness and sometimes, as an sub-qualifier or comment on his own text. A lot of the time, it is these biblical allusions, or expansions, which are key to understanding his underlying meaning.

With that, lets take a look at the matter at hand.

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St. Patrick: The Man From Nowhere

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St. Patrick’s Window, Tuam Cathedral. Image: Andreas Borchert (CC BY-SA 2.0)

Introduction

If there’s one aspect of the Historical Patrick that really gets certain people agitated, its the academic issue of his ‘episcopal’ status. St. Patrick is not only a national icon, saintly superhero and patron saint – he is also a figure of much personal devotion.  For many Irish people, he represents a very important tenant of the early reception of their faith and the very foundation of their national ecclesiastical identity. To this day, Irish church hierarchies still maintain that their religious authority and legitimacy stretches right back to his very personage. To question such a long and entrenched tradition naturally runs the risk of offending modern religious sensibilities. One doesn’t do so lightly.

Nevertheless, its remains important to. For several reasons.

Firstly, because we can. Not so very long ago, such an endevour would have been seen as utterly scandalous and I would probably have been denounced from an altar, hosed down with holy water and/or run out of the country, for even daring to.

Secondly, because we should. Academically separating the original historical Patrick from the later mythical ‘Saint’ Patrick serves to clarify the historical context and importance of both the man himself and the later literary culture, dynasties and ecclesiastical federations who championed and embellished his cult, whilst simultaneously preserving his actual writings. Ironically, their efforts now enable professional heretics such as myself the opportunity to work with such wonderful source material.

Thirdly, because we must. Over the next year or so, ahead of the papal visit in 2018, we will surely be treated to increased PR spin concerning the early history of Irish Christianity and Rome – from those who naturally have a vested interest in maintaining certain narratives. St. Patrick will have a starring role. Much of it will be badly written, poorly researched and historically inaccurate. Almost all of it will be a travesty of the Historical Patrick’s own words, theology, actions and experiences.

And so, for the day that’s in it, I thought I would take a forensic look at the evidence of the Historical Patrick’s own words concerning his own episcopal status.

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17 Things You (Probably) Didn’t Know About The Historical (St) Patrick

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St. Patrick’s Day is almost upon us again. To celebrate, here’s an flagrantly shameless click-baity 17 point listicle (I like to think of it as a ‘histicle’) on aspects of the historical (St) Patrick which are not widely known or usually discussed in modern media. His two surviving documents (and their respective manuscript versions) can be read in a variety of languages here.

1 – Recorded Irish History Starts With Patrick

Before being grossly inflated to within an inch of his hagiographical life by early medieval authors, the man we call ‘Patrick’ was an actual historical person. He lived sometime in the late 4th/early 5thC AD. Copies of two documents written by him survive. They are the earliest surviving texts known to have been written within Ireland. As such, recorded insular Irish ‘history’ (the study of the written word) starts with Patrick. There’s absolutely nothing earlier. Nor indeed, anything after him, for more than a century. The very fact that his writings managed to survive at all is pretty feckin’ amazing.

2 – Growing Up, Patrick Was A Spoiled Little Shit

St. Patrick didn’t call himself ‘Patrick’. Or ‘Saint’. He identified himself as ‘Patricius. His father was both a deacon and a type of Roman Town Councillor. His grandfather was a priest. His family’s villa estate had servants. In modern day parlance, Patrick was a spoiled little shit. With a maid. Despite the families ecclesiastical connections, he didn’t have a very religious upbringing at all. He says himself that he didn’t pay much attention to priests in general. Too busy gallivanting and drinking Frappuccinos probably. There’s a good chance his father only took on the role of ecclesiastical deacon in order to help mitigate the families imperial tax liabilities. ‘Tax avoidance, your honour. Not evasion. That money was just resting in my account’.

3 –  Rude Britannia

Many people, past and present, have laid several modern nationalist claims on Patrick’s ethnicity; despite the fact that Patrick clearly identified himself and his family as being Britons from the island of Britain. This means he would have considered himself British (in the late antiquity sense of the word). His native language would have been Brythonic. Despite this language being the precursor of Welsh, he would not have considered himself as such. He couldn’t have. A coherent welsh identity didn’t yet exist.  They still had all their own vowels for fecks sake. His (unidentified) home town was, in all likelihood, somewhere in North West Britain, not far from the Hadrians Wall frontier zone. Despite living near the (modern day) Scottish border, he did not identify with the inhabitants there either. In fact, he expresses a particular hatred for the insular peoples of Scotland, i.e. ‘The Picts’, essentially calling them worthless, unworthy, blood thirsty, evil thieving bastards. Seriously. He couldn’t stand them blue arsed pagan feckers.

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Sox Hiberionacum: Year View Mirror

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Inishdaff, Co. Mayo (Image: Author)

Forgive the pedestrian nature of this post, but I feel compelled to undergo the annual ritualistic Rear View, Year Review Mirror escapade – if nothing else – at least in the hope that it will help hurry the end, underline, and perhaps cement, what will surely be remembered worldwide as an annus horriblis.

Despite having a relatively quiet year here on Vox Hib, my little niche blog has somehow managed to continue breaking previous records. 2016 was my most widely received year so far. I am, as always, most grateful. Thanks a million for reading and/or sharing.

For what its worth, here’s some boring stats. The previous majority European readership for the blog has, for the first time, been eclipsed by North America. Top five regions for 2016 were: The US, Ireland, The UK, Canada and Australia. Highest number of non-English speaking regions were Germany, France, Netherlands, Spain and Belgium.  A special shout out to those peeps in Uzbekistan, Kyrgyzstan, Turks and Caicos Islands, Côte d’Ivoire and Guam.

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A Tomb With A View: Further Archaeo Adventures in Folk Horror 

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Image: Author

Our arms are waving our lips are apart;
And if any gaze on our rushing band,
We come between him and the deed of his hand,
We come between him and the hope of his heart.
W. B. Yeats, The Hosting of the Sidhe

* * *

Following on from last years folk horror flavoured adventure on the Slopes of Rathcroghan, I thought I’d take the opportunity of the weekend that’s in it to present you with another. The time: a few years ago. The place: an apparently nondescript rural graveyard somewhere in Middle Ireland. The unwitting (mis)adventurer: yours truly.

* * *

It was the first day of a week of archaeo-field survey and I was supposed to be in the far west of Ireland following in the footsteps of a seventh century bishop, seeking out some of the earliest historically attested Christian sites associated with the cult of St. Patrick. Yet, here I was, walking down a grass rutted country lane, searching for a gate that led toward a half-forgotten graveyard. The location wasn’t even on my official list of sites to visit, but I had been nearby and decided to stop off for a quick poke around. During a previous desktop survey, I had noted several interesting archaeo aspects about the place:

  • A late medieval church ruin
  • A much earlier medieval looking curvilinear shaped graveyard
  • A couple of suspiciously prehistoric looking standing stones in hinterlands
  • An abandoned holy well – and most of all –
  • A strange looking natural feature on a nearby drumlin that my eyes had been drawn to whilst looking at aerial photography.

Truth be told, it was actually a combination of all the above occurring within a placename containing the Old Irish word túaim; i.e. ‘a mound, bank, knap, tump, or hillock’, but more frequently, in placename terms, ‘a mound, tomb, grave or sepulchre‘ (in the sense of Latin tumulus).

This alone would have made anyone’s archaeological antennae stand up on end. But what really sealed the deal for me was the small matter of there being no record whatsoever of anything resembling a prehistoric mound or tomb in the vicinity.

Coupled with that, somewhere in this particular area, my seventh century bishop had made reference to an early church site. Alas, the full (Hiberno-Latin) placename is now illegible in the only surviving manuscript and as a result has never been identified with any certainty. Later medieval vernacular sources do include an Irish placename for the same area however, also unidentified, yet containing a similar letter or two with that of the first example. More importantly, the Irish placename is qualified by the word Sídh.

(Image: Author)

In onomastic terms this descriptor is generally associated with Sídh Mounds, aka Fairy Mounds. Denuded prehistoric tombs, cairns, mounds or tumuli, often situated on lumps, bumps and hills – many of which were later re-imagined and depicted in Irish myth and folklore as being the underground homes of supernatural beings or fairies known as the Áes Síde.

To have all this whirling around together in one place in an almost perfect archaeological, historical, onomastic storm? To be faced with the prospect of a forgotten prehistoric Tumulus, Síde Mound, or Ferta adjacent an early medieval church site? Perhaps even, the very reason for its initial establishment, reflecting Early Irish Christian agency, engagement and renegotiation with an ancestral past? How could anyone resist?

Long story short, that is how I came to be walking down a lane in the nowhere middle of Middle Ireland. On the off chance of catching a whispered echo of long silenced folk memory. Trespassing across time and space. Waking the dead. Looking for the ghost of a grave in an already ancient graveyard. A ‘túaim’ with a view.

What could possibly go wrong?

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Navigatio Hiberionacum: A Modern Day Immram in Ireland

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I have taken my little talent – a boy’s paddle-boat, as it were – out on this deep and perilous sea of sacred narrative, where waves boldly swell to towering heights among rocky reefs in unknown waters, (a sea) on which so far no boat has ventured…

Muirchú, Prologus, Life of Patrick, (7thC)

There’s something deliciously ‘early medieval’ about rowing wooden boats. No matter how much modern gear you happen to pack inside, there’s nothing ‘modern’ about the act of rowing itself. Of propelling a craft through the water by sheer power of human strength alone. Of pushing backwards from your legs a sweeping oar and seeing it catch and glide through the water, feeling a little surge forward in tandem with the others. Of riding into and cresting waves on the open sea. Of slinking through flat rivers. Of sitting in the bow, bobbing up and down, face forward to the horizon with hands on each side, feeling the wood hum and vibrate.

Wooden boats are most alive when they are moving. No really. You can hear them breathing, whalelike, an excited gurgling sound underneath, like a cistern, as water bubbles flow down the hull in transit. You can literally feel its synchronized heartbeat between the reach and return of the oars twisting and sliding between two thole pins – hard and soft wooden arteries – producing a dull ‘thud-dum’, ‘thud-dum’, ‘thud-dum’. A leathery wooden pulse pumping through the boat. The work of human hands.

It can, at times, get strangely hypnotic. Especially when on the board chatter had died down and people have settled into a good rhythm. The cox has little need to correct or instruct and the only thing left – is the open sea, the repetitive wooden heartbeat and ones own thoughts. My archaeo-imagination being what it is, I am usually transported back in time, to early medieval Ireland – not that hard when one is traversing the eastern Irish coastline in a clinker built craft, passing entire counties and landmarks once viewed in the same manner by seafarers from the north and still enshrined – despite anglicization – with Old Norse placenames.

Or perhaps, even further back, to Sixth and Seventh Century Ireland, when little boats and big seas occupied Early Christian literary imaginations as well as daily realities. Immrama. Navigatio. Peregrinatio. Exiles for God, adrift in the sea, seeking a retreat from the world. Romantic figures like Columba. Adómnan. Brendan. Island hermitages like Iona. Lindisfarne. Inishbofin.

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‘On Eagles Wings’ – Croagh Patrick: The Mount Sinai of Early Medieval Ireland

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“The people cannot come up Mount Sinai, because you yourself warned us, ‘Put limits around the mountain and set it apart as holy.'”
Exodus 19:23

Preface

Sometime during the seventh decade of the seventh century AD (c.670s) an Irishman approached the mountain in modern day Co. Mayo known as Croagh Patrick. He was an ecclesiastical academic type, something of a ‘a wise man’ or ‘sapiens’ in the early Irish Christian tradition.  Although he had been fostered and trained in a monastery in Co. Meath, on the east coast of Ireland, he was in fact, a local – originally hailing from the north coast of modern day County Mayo, around the western shore of Kilalla Bay.

It was probably not his first time seeing the mountain. He would surely have heard stories about it in his earlier youth; maybe caught glimpses of it at times and certainly would have been aware of its imposing presence in the landscape. Indeed, almost as soon as he crossed the River Shannon, traveling from Leinster, he would have caught sight of it several times in the distance.

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The man probably traveled out along the lowland plain of modern day Murrisk, between the mountain and the southern shore of Clew bay, along the same route that the modern day road takes today. He would have passed an early church site at Umhall, now known as Cloonpatrick graveyard at Oughaval. He would have passed a few standing stones and the remains of prehistoric stone alignments on his way. He would passed the future site of Murrisk Abbey, then just a coastal bluff sticking out into the sea. He would have passed the future site of the modern day car park at the foot of ‘the Reek’ as it is now called. And he would have kept on going.

He was looking for something in the landscape. Something conspicuously imposing and already ancient. A few miles up the road, at a point where the highest stream from the mountain summit flows down into Clew Bay – linking the summit and the foot of the mountain – he apparently found what he was looking for. A late prehistoric stone cairn or ring barrow mound – part of, or adjacent, an older communal burial place still in use – reflecting an even older dynastic, or territorial boundary.

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Saints & Scholars: Tweeting Saints in Medieval Irish Martyrologies

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Image: Author

The Irish martyrologies are an incredibly important historical source – textual witnesses to many things: Saints cults, both famous and obscure, both female and male; individual church sites, ecclesiastical foundations, hermitages, and any number of halfway houses in between; personal names; place names; regional names; dynastic names. They provides several stratified snapshots of a competing and free flowing ecclesiastical landscape of loyalties, allegiances, bias, memory and commemoration. A measure of importance for those communities and dynasties doing the ‘celebrating’, as much as those being ‘celebrated’.

For those who may not be aware, Dr. Elva Johnston, one of the foremost authorities on Early Medieval Ireland and Early Irish Christianity, has been tweeting daily Saints from Early Irish Martyrologies for some months now. Essentially, the Martyrology of Óengus (Félire Óengusso) and the Martyrology of Gorman. She has also been storyifing them for posterity.

Aside from having a handy reference of feast days, the whole enterprise is a wonderful 21st Century experimental clone of Early Medieval Irish Scribal activity. Ironically, the medium of Twitter lends itself naturally to what monks and scribes were essentially doing within manuscripts over a thousand years ago i.e. small notes, highlights, marginalia glosses, annal entries, short commentaries…

Every day, Dr. Johnston tweets the relevant feast day/saint(s) included in the Martyrologies, and often other experts and scholars chime in with short notes, etymological elements and/or historical tidbits. If you have ever wanted to know what it may have felt to be a medieval scribe, or a student gazing over their shoulder as they wrote, this is the perfect opportunity to follow along. In real time. Day by day. Month by month.

Basically, putting the original #MedievalTwitter into… ehh… #MedievalTwitter.

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